 | Copenhagen (Samuel French Acting Edition)
Publication Date: December 14, 2010| ISBN-10: 0573627525 | ISBN-13: 978-0573627521| Edition: 12th DramaCharacters: 2 male, 1 female Interior Set Winner of 3 Tony Awards, including Best Play - 2000!In 1941 German physicist Werner Heisenberg went to Copenhagen to see his Danish counterpart, Niels Bohr. Together they had revolutionized atomic science in the 1920s, but now they were on opposite sides of a world war. In this incisive drama by the prominent British playwright which premiered at the Royal National Theatre in London and opened to rave reviews on Broadway, the two men meet in a...
 |  | Germania
Publication Date: October 1, 1990| Series: Semiotext(e) / Foreign Agents Heiner Muller, East German author of Hamletmachine and Medea, was the preeminent German successor of Bertholt Brecht at the end of the twentieth century. In this collection of essays, stories, and interviews conducted by Sylvere Lotringer, Muller reflects on the laws of history from the standpoint of someone straddling the Berlin Wall. Muller saw the wall as both repression and protection of his compatriots from the inevitable triumph of capitalism. His work evokes the wit and compactness of Brecht, with an added psycho...
|  | Samuel Beckett's Waiting for Godot (Modern Theatre Guides)
Publication Date: March 6, 2009| ISBN-10: 082649594X | ISBN-13: 978-0826495945| Edition: 1 <div><span style="FONT-FAMILY: 'Times New Roman'; mso-fareast-font-family: 'MS ??'">"An impressively complete survey of the play in its cultural, theatrical, historical and political contexts." - David Bradby, co-editor of <i>Contemporary Theatre Review</i> <?xml:namespace prefix = o ns = "urn:schemas-microsoft-com:office:office" /><o:p></o:p>&l...
|  | Rehearsing the Revolution: The Staging of Marat's Death, 1793-1797 (Quantum Book)
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|  | Elle Est La (Folio Theatre) (French Edition)
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|  | My Memoirs
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|  | Children of the Sun
Publication Date: September 15, 1999| Series: Drama Classics (Book 43) A prophetic play from pre-Revolutionary Russia. ...
|  | Les Paravents
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|  | Professor Bernhardi (Oberon Modern Plays)
Publication Date: September 1, 2006| ISBN-10: 1840025522 | ISBN-13: 978-1840025521Arthur Schnitzler's work has come to define Vienna at the turn of the twentieth century. ...
|  | Faust the Theologian
Publication Date: January 31, 1997In this erudite and beautifully written book, an eminent scholar meditates on the theological implications of Goethe's Faust. Jaroslav Pelikan considers Goethe's statement that he was a pantheist when it came to science, a polytheist in art, and a monotheist in ethics, and he uses it for the first time to analyze Faust's development as a theologian -- thereby enabling us to see Goethe's masterpiece in a surprising new light. ...
|  | Antigona (Clasicos De Siempre/Joyas Del Teatro / Always Classics / Theater Gems) (Spanish Edition)
Publication Date: June 30, 2010| Series: Clasicos De Siempre/Joyas Del Teatro / Always Classics / Theater Gems La tragedia esta basada en el mito de la mujer que se atrevio a enfrentar a los hombres para lograr sus propositos y la trama de la obra, en esencia, plantea una reflexion sobre la tirania, las razones del Estado y los dilemas de conciencia. Representada por primera vez en el ano 442 a.C., Sofocles utilizo personajes arquetipicos para enfrentar dos nociones opuestas del deber: el respeto a las normas religiosas y a las civiles, caracterizadas unas por Antigona y las otras por Creont...
|  | La Vida Es Sueno / Life is a Dream (Cervantes & Co. Spanish Classics) (Spanish Edition)
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|  | Fassbinder: Plays (PAJ Books)
Publication Date: July 1, 2001| Series: PAJ Books Fassbinder's version of modern post-civilized terror was, like much else about his work, ahead of its time. --San Francisco Chronicle ...
|  | Fuenteovejuna (The Margellos World Republic of Letters)
Publication Date: April 24, 2012 ...
|  | Four Major Plays (Oxford World's Classics)
Publication Date: January 15, 2009| Series: Oxford World's Classics In his four last plays (Blood Wedding, Yerma, The House of Bernarda Alba, Dona Rosita the Spinster) Federico García Lorca offered his disturbed and disturbing personal vision to Spanish audiences of the 1930s---unready, as he thought them, for the sexual frankness and surreal expression of his more experimental work. The authentic sense of danger of Lorca's theatre is finely conveyed here in John Edmunds's fluent and rhythmic new translations that lend themselves admirably to performance.About the Series: For over 100 y...
|  | El perro del hortelano (Castalia Prima) (Spanish Edition)
Publication Date: May 10, 2000Comedia de enredo que gira en torno al amor, los celos y el honor, nos presenta la lucha interior que vive la Condesa Diana entre el amor que siente hacia su secretario Teodoro y los convencionalismos sociales que le impiden contraer matrimonio con el. Pero Diana tampoco consiente que Teodoro, hombre que pertenece a una clase social inferior, se case con su enamorada, la criada Marcela. ¡Ni comer, ni dejar! Comedia fresca y divertida, en la que todos los personajes defienden su felicidad superando prejuicios y presiones sociales, es una buena muestra del me...
|  | La verdad sospechosa (COLECCION LETRAS HISPANICAS) (Spanish Edition)
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|  | Early Verse Drama and Prose Plays (Goethe: The Collected Works, Vol. 7)
Publication Date: April 3, 1995| Series: Goethe the Collected Works (Book 7) Goethe's early plays bear witness to his urgent desire to enliven German theater--an ambition that followed him to the National Theater in Weimar, where he was named director in the early 1790s. This volume contains eight of these plays, written between 1771 and 1787. Not only do they demonstrate Goethe's unprecedented versatility in experimenting with new forms of dramatic expression, but they also give insight into his development from Sturm und Drang to classicism. These works include prose plays (Goetz von Berli...
|  | The Edwardian Theatre: Essays on Performance and the Stage
Publication Date: December 11, 2008This book presents Edwardian entertainment and the Edwardian entertainment industry as parts of a vital, turbulent era whose preoccupations and paranoias echo those of our own day. Responding to recent shifts of attitude toward the Edwardians and their world, the essays in this collection take as their provenance broad patterns of theatrical production and consumption, focusing on the economics of theater management, the creation of new audiences, the politics of playgoing, and the meteoric rise of popular forms of mass entertainment, including musical come...
|  | Flight and Bliss
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