| Essays and Dialogues (I Tatti Renaissance Library) Publication Date: May 1, 2008| ISBN-10: 0674028260 | ISBN-13: 978-0674028265From humble beginnings, Bartolomeo Scala (1430–1497) trained in the law and rose to prominence as a leading citizen of Florence, serving as secretary and treasurer to the Medicis and chancellor of the Guelf party before becoming first chancellor of Florence, a post he held for fifteen years. His palace in Borgo Pinti, modeled on classical designs, was emblematic of his achievements as a humanist as well as a public official. Along with his professional writings as chancellor, Scala’s personal treati...
| | Music from the Tang Court: Volume 5 Publication Date: June 29, 1990| ISBN-10: 0521347769 | ISBN-13: 978-0521347761| Edition: Revised From the oldest surviving Japanese manuscripts in tablature (ninth- fourteenth-centuries) the book provides transcripts into staff-notation of (largely) entertainment-music, played at banquets at the Chinese Court in the Tang period, borrowed by the Japanese not later than 841. The music has never been transcribed before and has not been heard for 800 years or more, so drastically has it been transformed in Japanese performance. The history of each piece of music, as given in Chinese and Japa...
| | On Discovery (I Tatti Renaissance Library) Publication Date: June 30, 2002| ISBN-10: 0674007891 | ISBN-13: 978-0674007895| Edition: Bilingual The Italian humanist Polydore Vergil (1470-1555) was born in Urbino but spent most of his life in early Tudor England. His most popular work, On Discovery (De inventoribus rerum, 1499), was the first comprehensive account of discoveries and inventions written since antiquity. Thirty Latin editions of this work were published in Polydore's lifetime, and by the eighteenth century more than a hundred editions had appeared in eight languages, including Russian. On Discovery became a key referen...
| | Ciceronian Controversies (I Tatti Renaissance Library) Publication Date: April 30, 2007| ISBN-10: 0674025202 | ISBN-13: 978-0674025202 The most important literary dispute of the Renaissance pitted those writers of Neo-Latin who favored imitation of Cicero alone, as the single best exemplar of Latin prose, against those who preferred to follow an eclectic array of literary models. This Ciceronian controversy is the subject of the texts collected for the first time in this volume: exchanges of letters between Angelo Poliziano and Paolo Cortesi; between Gianfrancesco Pico della Mirandola and Pietro Bembo; and between Giovambattista Giraldi Cinz...
| | Shakespeare's England: Life in Elizabethan & Jacobean Times Publication Date: April 1, 2003A collection of some of the best, wittiest and most unusual excerpts from 16th- and 17th-century writing. "Shakespeare's England" brings to life the variety, the energy and the harsh reality of England at this time. Providing a portrait of the age, it includes extracts from a wide variety of writers, taken from books, plays, poems, letters, diaries and pamphlets by and about Shakespeare's contemporaries. These include William Harrison and Fynes Moryson (providing descriptions of England), Nicholas Breton (on country life), Isabella Whitney and Thomas Dekker (on...
| | The Lost Italian Renaissance: Humanists, Historians, and Latin's Legacy Publication Date: December 5, 2005The intellectual heritage of the Italian Renaissance rivals that of any period in human history. Yet even as the social, political, and economic history of Renaissance Italy inspires exciting and innovative scholarship, the study of its intellectual history has grown less appealing, and our understanding of its substance and significance remains largely defined by the work of nineteenth-century thinkers. InThe Lost Italian Renaissance, historian and literary scholar Christopher Celenza argues that serious interest in the intellectual life of Renaissance Ital...
| | The Architectural Treatise in the Italian Renaissance: Architectural Invention, Ornament and Literary Culture Publication Date: April 14, 2011Vitruvius' Ten Books of Architecture was the fountainhead of architectural theory in the Italian Renaissance. Offering theoretical and practical solutions to a wide variety of architectural issues, this treatise did not, however, address all of the questions that were of concern to early modern architects. This study examines the Italian Renaissance architect's efforts to negotiate between imitation and reinvention of classicism.Through a close reading of Vitruvius and texts written during the period 1400-1600, Alina Payne identifies ornament as the central is...
| | History of Biblical Interpretation, Vol. 3: Renaissance, Reformation, Humanism (Society of Biblical Literature) Publication Date: November 12, 2010| ISBN-10: 1589834593 | ISBN-13: 978-1589834590| Edition: 1 Volume 3 of History of Biblical Interpretation deals with an era Renaissance, Reformation, and humanism characterized by major changes, such as the rediscovery of the writings of antiquity and the newly invented art of printing. These developments created the context for one of the most important periods in the history of biblical interpretation, one that combined both philological insights made possible by the now-accessible ancient texts with new theological impulses and movements. As represe...
| | Emanuel Swedenborg: A Continuing Vision Publication Date: November 1, 1988This commemorative volume, containing over 400 colour and black-and-white illustrations offers today's reader an incomparable survey of the prodigious accomplishments, spiritual insights and enduring influences of one of the supreme intellects of all time. ...
| | The Prisoner's Philosophy: Life and Death in Boethius's CONSOLATION Publication Date: November 15, 2006"Acknowledging that the Consolation of Philosophyis over-familiar and under-read, Joel Relihan puts to the side old bromides about the work and instead pays careful attention to the narrative(s) Boethius constructs, grounding his readings in the contexts the work cultivates, especially its Menippean elements. The result is perhaps the first satisfying reading of the Consolation to be produced, a satisfaction felt also in the ways Relihan mirrors Boethius himself in the thoroughness of his scholarship and the elegance of his exposition. No one wh...
| | History of Venice, Volume 3: Books IX-XII (I Tatti Renaissance Library) Publication Date: November 30, 2009| Series: I Tatti Renaissance Library (Book 37)Pietro Bembo (1470–1547), a Venetian nobleman, later a cardinal of the Roman Catholic Church, was the most celebrated Latin stylist of his day and was widely admired for his writings in Italian as well. His early dialogue on the subject of love greatly influenced the development of the literary vernacular, as did his Prose della volgar lingua (1525). From 1513 to 1521, he served Pope Leo X as Latin secretary and became known as the leading advocate of Ciceronian Latin in Europe and of the Tuscan dialect...
| | Shakespeare's Caliban: A Cultural History Publication Date: May 28, 1993| ISBN-10: 052145817X | ISBN-13: 978-0521458177Shakespeare's Caliban examines The Tempest's "savage and deformed slave" as a fascinating but ambiguous literary creation with a remarkably diverse history. The authors, one a historian and the other a Shakespearean, explore the cultural background of Caliban's creation in 1611 and his disparate metamorphoses to the present time. ...
| | Letters to Friends (I Tatti Renaissance Library) Publication Date: May 31, 2011| Series: I Tatti Renaissance Library (Book 47) Bartolomeo Fonzio (1447–1513) was a leading literary figure in Florence during the time of Lorenzo de’ Medici and Machiavelli. A professor of poetry and rhetoric at the University of Florence, he included among his friends and colleagues leading figures such as Marsilio Ficino, Angelo Poliziano, John Argyropoulos, Cristoforo Landino, and Pietro Soderini. He was one of the principal collaborators in creating the famous humanist library of King Mattyas Corvinus of Hungary. As a scholar and teacher, he d...
| | Elizabethan Mythologies: Studies in Poetry, Drama and Music Publication Date: May 27, 1994For lovers of music and poetry the legendary figure of Orpheus probably suggests a romantic ideal. But for the Renaissance he is essentially a political figure. Dealing with plays, poems, songs, and the iconography of musical instruments, Robin Headlam Wells reexamines the myth, central to the Orpheus story, of the civilizing power of music and poetry. In doing so he acknowledges a debt to the New Historicism and its recovery of political meanings that traditional historical scholarship has sometimes been guilty of obscuring. But he is also critical of certain f...
| | English Renaissance Literary Criticism Publication Date: April 10, 2003This is the first comprehensive collection of English Renaissance literary criticism to appear for nearly a century. Brian Vickers has brought together a wide-ranging selection of texts, some well-known (such as Sir Philip Sidney's Apology for Poetry, the most brilliant critical essay of the whole Renaissance, here given complete), some little-known (Dudley North's account of Metaphysical poetry), and one being printed for the first time (John Ford's elegy on John Fletcher). ...
| | The Science and Art of Renaissance Music Publication Date: August 24, 1998As a distinguished scholar of Renaissance music, James Haar has had an abiding influence on how musicology is undertaken, owing in great measure to a substantial body of articles published over the past three decades. Collected here for the first time are representative pieces from those years, covering diverse themes of continuing interest to him and his readers: music in Renaissance culture, problems of theory as well as the Italian madrigal in the sixteenth century, the figures of Antonfrancesco Doni and Giovanthomaso Cimello, and the nineteenth century's ...
| | Resistant Structures: Particularity, Radicalism, and Renaissance Texts (The New Historicism: Studies in Cultural Poetics) Publication Date: March 31, 1997| Series: The New Historicism: Studies in Cultural Poetics Taking Wittgenstein's "Don't think, but look" as his motto, Richard Strier argues against the application of a priori schemes to Renaissance (and all) texts. He argues for the possibility and desirability of rigorously attentive but "pre-theoretical" reading. His approach privileges particularity and attempts to respect the "resistant structures" of texts. He opposes theories, critical and historical, that dictate in advance what texts must--or cannot--say or do.The first part of the book, "Against Sch...
| | Fictions of the Cosmos: Science and Literature in the Seventeenth Century Publication Date: November 15, 2011In today’s academe, the fields of science and literature are considered unconnected, one relying on raw data and fact, the other focusing on fiction. During the period between the Renaissance and the Enlightenment, however, the two fields were not so distinct. Just as the natural philosophers of the era were discovering in and adopting from literature new strategies and techniques for their discourse, so too were poets and storytellers finding inspiration in natural philosophy, particularly in astronomy. ...
| | Dismembered Rhetoric: English Recusant Writing, 1580 to 1603 Publication Date: April 1, 1995This book describes the texts produced by recusant writers as part of an effort to reconvert Britain to Catholicism between 1580 and 1603 and suggests that rhetoric is consciously and successfully used by these authors. It also shows how rhetoric is necessary for recusant works to accomplish their devotional purpose. ...
| | Allegorical Play in the Old French Motet: The Sacred and the Profane in Thirteenth-Century Polyphony (Figurae: Reading Medieval Culture) Publication Date: May 1, 1997| ISBN-10: 0804727171 | ISBN-13: 978-0804727174| Edition: 1 The motet began as a form of sacred vocal music in several parts; a cantus firmus or tenor, drawn from sacred Latin chant, served as a foundation for one or more upper voices. The French motet was a well-established form by the middle of the thirteenth century, as were bilingual motets that combined at least one French and one Latin text among the upper voices.Though some attention is paid to melodic structure and the relationship between text and music, this book focuses on the literary artistry of ...
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